A man in a suit.

January 8, 2007 at 12:14 pm (Bloom Status: Upward)

First of all, thank you for your kind responses about my solo show. They were each really helpful and much appreciated. I stayed up late and read out loud the jail story on The Gallivanting Monkey, and realized that I’m not starting from absolute zero. Though many segments of it need to be rewritten for stage-friendliness, there’s a lot there that’s fine as is. But then there are the large matters of Why This Story and What Kind of Show is This that lead me to What Else Do I Need To Write. Also, I need to find a director – someone rigorous and fun who’s a movement ace, since I need a movement ace, as I’m not a movement ace. I’m thinking about asking George Lewis, for all you Seattle theater types who would know who I’m talking about.

noh santa

Also, hilariously, I had a psychic reading with Erin Pavlina (who’s linked on the right over there) and the subject of my show came up. The advice from the spirit world was to skew the show 75% towards material I’m very sure of and 25% towards experimentation. That sounds pretty good. Also, the spirit world suggested I do a lot of different voices, because I’m good at that. I will take that under advisement. But the best part was that Erin said that a man is going to come see the show – this is Destiny – and book it somewhere else, somewhere perhaps fancy. This man is in his 50’s, she said. He’s portly, wears a suit, has a moustache. He’s sort of an abrasive guy, maybe a chauvinist, but I’m not to let that bother me. I’m to overlook that stuff and let him do his thing – and don’t piss him off – because he’ll take me somewhere I really want to go. My word! Heidi put into words well what I was thinking, that this is definitely going to add a sort of Waiting for Guffman dynamic to the show when it’s in performance. If anyone shows up in the audience who answers at all to that description, I’m going to notice and maybe get all weird. After the reading I was like, how do I look into this? Do I google “portly moustachioed theater brokers”? “Rotund besuited chauvinist movers and shakers”? “Fat bastard theater wizards with facial hair”? In any case, this is excellent because it will provide levity before I walk out on stage. Here I come, Guffman. Tonight’s the night. That’s the worst thing that could happen. And, of course, the best thing would be if the big dapper crank were to actually show up and rocket me to the stars.

Finally, in my ongoing Weight Watching, I have lost 27 pounds. This officially escorts me out of the overweight category and deposits me on upper rim of normal healthiness. Huzzah! 13ish pounds to go to reach my goal, which is the absolute middle of the healthy range. Meanwhile, I’d like to give a shout-out to Quaker Oats Weight Control Oatmeal (with a special nod to Cinnamon flavor), Barilla Plus Pasta (whole grain, full of protein, tastes far better than it should), apples, water, Rudi’s Organic Seven Grain & Flax Bread, the Weight Watchers Flex Plan (a system which allows me to eat anything I like as long as I balance things out) and breastfeeding, which burns 500 calories a day. Eat up, buddy.

Bloom Status: Upward

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3 Comments

  1. Eve said,

    The fact that you are even CONSIDERING standing on a stage and performing like that is just unbelievably COOL. And I would bet that you would, in turn, inspire and intimidate more people than you could imagine.

    And also- 27 pounds???!!!! That is, like, an 8 month old baby, and a small turkey! An entire person, and a little feast!!! You rock!

    Jesus… you are blooming all over the place!

  2. lola said,

    Did the reading from Erin come true?

  3. Ken said,

    Did the reading come true? Please tell us

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